Over the past couple of years I received a question from two different academics in regards to my focus on making music videos. Both of them asked… Read more “Music Videos as “Low” Filmmaking?”
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Room for Both: Horror and Social Commentary in 3 Japanese Classics, Part 3
This is part three of a three-part cross examination of three mid-20th century Japanese movies: Hiroshi Teshigahara’s Woman in the Dunes (1964), Toshio Matsumoto’s Funeral Parade of… Read more “Room for Both: Horror and Social Commentary in 3 Japanese Classics, Part 3”
Room for Both: Horror and Social Commentary in 3 Japanese Classics, Part 2
This is part two of a three-part cross examination of three mid-20th century Japanese movies: Hiroshi Teshigahara’s Woman in the Dunes (1964), Toshio Matsumoto’s Funeral Parade of… Read more “Room for Both: Horror and Social Commentary in 3 Japanese Classics, Part 2”
Room for Both: Horror and Social Commentary in 3 Japanese Classics, Part 1
A contributor post by Nicholas van der Waard. This article is part one of a three-part cross examination of three mid-20th century Japanese movies that my partner… Read more “Room for Both: Horror and Social Commentary in 3 Japanese Classics, Part 1”
Video Painting
A curious term I’ve come across in my web-wanderings on film is “video painting”, videos (primarily of an ambient nature) displayed as still, traditional paintings would be.… Read more “Video Painting”
Interview with Bob Bicknell-Knight
Bob Bicknell-Knight is an artist and curator based in London. He is the director of contemporary art platform isthisit? and co-founder of A217gallery. Marilyn Roxie of VIDEO HOOK-UPS: What other… Read more “Interview with Bob Bicknell-Knight”
